The Odyssey is one of earliest, and best, works in the “big trip” genre, so grand they named half the genre after it! For freshmen looking to complete a 3D Map for their Odyssey project, here are a few tips.
First – the in-class map is by no means definitive, but has two components that I think are key: an oversized Ithaca and an Underworld far (far) to the west. You don’t have to reach the Pillars of Heracles, but I like the idea of going to the edge of the known (Mediterranean) world.
Second – use your resources to help you tell the story! Some of my favorites are on Google Earth (download it if you haven’t – it’s worth it!), especially the Odyssey on Google Lit Trips, which features facts and artwork at the locations in each episode. Your map doesn’t need to be overly complicated, but consider adding stickers, flags, or figures to keep the travels alive.
Third – you don’t need to use salt dough, but this is a straightforward method to make your map 3D that is both easy and useful! The video below was made in jazzy style by a very good friend of mine some years ago, and gives you a nice breakdown of the salt dough process. I definitely expect your map to be in color, so grab the appropriate food coloring to go with it or paint it after it dries (a few days later)!
This message is intended for the freshmen classes! I wanted to share a few wonderful resources from a 3rd Hour Shakespeare’s World Research presentation today. As you may remember, there is a veritable slew (slew!) of subjects included on Tuesday’s Ides Test. These great four links help fill in general knowledge of Shakespeare’s life and works.
Here’s a link to a brief timeline of the life of Stratford’s most famous son:
It’s the season of suspenseful storytelling, with an emphasis on imaginative yarns and wanderings through folklore. Here are some of the videos from class, by your request, that captured through digital wizardry (a most mysterious magic) the senses, tales, and spine-tingling thrills of the school year in October.
Intro to Literature: “The Bottom of the River” by Delta Rae
The song you can’t escape from, no matter how far the river takes you. Perhaps one of the greatest music videos out there, not least of which in the terrible joy of ambiguity.
Brit. Lit – The Middle Ages: “The Canterbury Tales: Part I”, from Christmas Films, Pizzazz Pictures, and Right Angle.
These episodes aired on the BBC in 1998-2000, excerpting highlights from Chaucer with inventive animation swings. Not for the faint-hearted or tidy-minded, but then, a lot of the fun stuff from different historical eras isn’t.
I’m in the midst of grad school books (in addition to my upkeep with To Kill a Mockingbird and Beowulf), so there isn’t much to share in my current readings that most students would be interested in. Conversations in the senior classes, however, reminded me of a very, very good book I picked up in our school library a few years ago that is perfectly timed for the change in seasons. If you aren’t already excited to read this month’s pick by the compelling cover art alone, the above book should appeal to you for many, marvelous reasons. Not least of which is the promise of the title – indeed, A Monster Calls (from Candlewick Press, 2011).
A Monster Calls was inspired by an idea from author Siobhan Dowd, a famed, prize-winning British writer of young adult fiction who died from a severe case of breast cancer in 2007. Her (unfortunately) short list of completed works were widely recognized by literary awards, including the Carnegie, which is the British version of the Newbery Medal. In the words of Patrick Ness, who completed this story: “She had the characters, a premise, and a beginning. What she didn’t have, unfortunately, was time.” Ness, author of the Chaos Walking series, picked up her idea and ran with it to a Carnegie Medal of his own for this novella, which details the troubled nights of Conor – a 13-year-old boy with an ailing mother and an inhuman visitor.
The Monster in this book is of the Wild – a creature of the thresholds who is literally made of the natural world, visiting Conor each night seven minutes after twelve. The creature is vividly brought to life in award-winning illustrations by Jim Kay, and the images blend seamlessly into the words much as the natural world slowly encroaches on our own concept of “safe” “civilization”. The theme of slow, inexorable changes settles in the pages: in Conor’s attitude, his mother’s health, and the changing role of the monster who visits Conor night after night, stories in hand.
Storytelling is the one of the main takeaways of this novel, which addresses all of the English classes this year. I won’t say any more about this book in the hopes that you will check it out for yourself for a monstrously-good read in this most exciting of seasons. Again, the book is available in our own school library, as are the Chaos Walking books, and a host of other Carnegie winners (and fantasy/young adult fiction books). If nothing else has you looking for this pick, think of it as a chance to read it before it gets cool – the upcoming movie adaptation is due October 2016, written by Ness, and starring Liam Neeson and Felicity Jones.